This work is based on Who has seen the wind?, #85 from the Christina Rossetti book Sing Song: A Book of Nursery Rhymes. Set for organ and cello accompaniment.

For SSSAAA voices. A particularly striking piece for a children's choir. With percussion and Latvian text

Scored for three solo sopranos with SSAA choir. A great way to showcase three soloists.

This a cappella setting of the traditional hymn melody opens with a soprano solo that blossoms into a full choral presentation with modern harmonies. A wonderful choice for concert or worship

For double choir and solo violin, taken from the larger work Whispers on the Prairie Wind for orchestra and choir which premiered in 2015 with the subtitle Farewell to My Friend. This is a

Commissioned by the Latvian Embassy in Seoul, Korea to celebrate the 100th anniversary of the State of Latvia. This 3 minute piece infuses both Korean and Latvian folksongs.

An interesting work that is basically a cappella - only a bass drum accompaniment. This work also has aleatoric passages and an expanded harmonic language.

The famous hymn tune "Slane" arranged for choir and piano by Eriks Esenvalds

Mimicking the diverse sounds of calling patterns, this Latvian piece explores sounds, vocables, and different tone colors to create an engaging a cappella concert work for advanced treble choirs.

Each volume of the these choral anthologies presents a collection of Esenvalds' most popular choral offerings in a convenient edition. Volumes 1, 2, 4, 5 and 6 are for mixed choirs divisi, and Volume 3 is

This lush arrangement of the ever-popular Irish folk song is written for soprano solo over treble voices, then expanding to full choir. The traditional tune but a completely new harmonization, with rich,

Perfect for the ensemble looking for works from other cultures, this cinematic setting of the Latvian folk song contains repetition which makes the Latvian more accessible. This also includes English

With a text by Sara Teasdale and an a cappella harmonization for mixed divisi choir and soprano solo, Esenvald's use of dissonance and sustained tones throughout create a modern soundscape that supports the